
Hwal (2005) ( The Bow - http://www.imdb.com/title/tt0456470/
Directed by: Ki-duk Kim ( I've seen everything except Crocodile )
IMDB rating: 7.2/10 (21 votes)
The Bow is Kim still following his new spiritual side and still telling isolated stories. Many of his films are set in places that seem completely insular and shut off from the rest of the world. The motel in Birdcage Inn, the floating temple in Spring, Summer, Fall, Winter.. and Spring, the floating motel in The Isle, and now we have the floating house in The Bow. Kim has an apparent love for water and floating abodes. Maybe it has something to do with depicting those outside of a class structure, much like Ozu's Floating Weeds. Kim's characters are rarely a part of society.
The two main characters in The Bow are a 16 year old girl and an old man. The old man found the girl when she was 6 years old and has kept her on the boat for a decade. He plans to marry the girl when she turns the legal age of 17. They make their living by hosting fisherman. The old man goes out each morning on their secondary boat and picks up fisherman; the fisherman stay for a day or two, and then the old man takes them back. The girl seems pleased with her environment, until a young guy near her own age shows up aboard the boat.
As per usual for Kim, his two main characters never say a word. In his other films, it works. The characters say more without saying anything. In The Bow, it seems more like a gimmick. His characters do talk, but for some unknown reason, they only whisper in the other person's ear. It seems sort of silly that they can talk but choose to keep what they have to say a secret. And especially with the changing dynamic of the relationship, you would expect them to do more than glare unhappily.
I'm not really sure what's with the shift in character for the girl. The shift comes when this young guy shows up, but what's so special about him? He does give her a walkman device, but is Kim trying to say the girl is a materialistic whore. The old man buys nice stuff for the girl too, but keeps it locked away for the wedding. Does she like how the young guy is willing to care for her in the moment and not wait for some arbitrary date assigned by society. I'm really not following.
Another usual for Kim is the haunting music. The soundtrack may be better than the actual movie. It's relaxing and really sets the tone of film. I'm not sure what instrument is from, but it's shown as being played from the bow with an added drum. The music being played and what the character is playing don't match up though. There has to be some dual meaning in the bow. Perhaps as an instrument of seduction and destruction. I believe it's a reference to the, uh, reproductive organ of a female. It does fire off phalli. That ending scene probably shouldn't be as funny as it is.
The Bow is haunting and memorable. It'll likely stay with me quite a while, but it's a stumble for Kim, who has been on a roll as of late. It is worth a watch though.
6/10
Anonymous
August 13 2005, 09:01:32 UTC 6 years ago
Kim
I haven't seen as many of his films as you have, but, from what I've seen, Kim's films seem to all fall into the "better-than-average-but-not-great" category. Probably his best, 'Spring, Summer, Autumn, Winter... and Spring', was critically acclaimed and all that, but I think it's vastly overrated. Anyway, I think Kim's problem is that he's a great director and a bad screenwriter. I know he got famous for writing before tackling directing, but I'd like to see him try to film something written by another screenwriter with, hopefully, a more concrete story-- something to actually hang his subtext on. What do you think?Cheers,
Quack Corleone <<<http://monkeywearspants.blogsome.com/>>>
August 13 2005, 14:12:52 UTC 6 years ago
Re: Kim
It would be nice to see Kim branch out a little. As his filmography family tree stands now, it's rather incestuous. A number of themes pop up in multiple films and the only change he's made is a shift away from the physical to the spiritual. It seems unlikely that he'll do something more concrete or with another screenwriter with the direction he's headed. He seems insistent on making his own flavour of parables.I'm still a fan of Kim's work, and I'll look forward to any new projects he works on. Sometimes his ideas work well (3-Iron, Spring, Summer.. ), sometimes they don't (The Bow, Bad Guy, Wild Animals). Most of the time they're oddities that can swing either way. He's one of those directors that people either love or hate.